Amidst an ongoing “World Magnetic Tour,” Metallica played back-to-back nights to sold out crowds at New York’s Madison Square Garden.

For nearly twenty years fans were left scratching their heads – their once beloved thrash-metal pioneers were going soft, or so it seemed. Fast-forward a decade to the release of “Some Kind of Monster,” internal conflict and clashing artistic visions threatened to separate one of musics all-time largest acts once and for all.
Just when things were looking irreparable and utterly bleak, redemption came in the shape of a roughly 5 in. x 5 in. case: Death Magnetic was released to a combination of critical acclaim and a resounding sigh of relief from one enormous fan base. Following the release of the album, Metallica went on an extensive tour that began in early 2008 and will go well into 2010, stopping to play New York’s famous Madison Square Garden two nights in a row to sold out crowds.
Opening Acts
All the way from Copenhagen, Denmark, Volbeat joined Metallica on tour to play a fusion of rockabilly, hard-rock, and heavy metal. Next up were Lamb of God, the face of a new wave of heavy metal that came with the early 90’s. Both bands sounded great, and were a good fit for the many different types of music Metallica have experimented with throughout their career.
Metallica Fights Fire with Pyrotechnics
If you have ever been to a Metallica show, you know the drill by now. Loud music, enormous fires, a dazzling laser show – everything bigger, louder, and faster. The band took the stage to their signature intro, “Ecstasy of Gold” from the 1966 film “The Good, the Bad and the Ugly,” a tribute to the ethos of the stoic anti-hero portrayed by Clint Eastwood.
Dressed mostly in black, James, Krik, Lars, and Robert took the stage under the cover of dark, meanwhile the palpitating heart intro of Death Magnetic’s opening track “That Was Just Your Life” permeated the arena. Then the guitars came crashing in with laser-like speed and intensity accompanied by an explosive light show. During their fan-favorite “One” band members navigated between enormous explosions of fire that shot up from the stage.
Metallica November 14th Madison Square Garden Setlist
1. That Was Just Your Life
2. The End of the Line
3. For Whom the Bell Tolls
4. Holier Than Thou
5. One
6. Broken, Beat and Scarred
7. Cyanide
8. Sad But True
9. Turn the Page (Bob Seger cover)
10. All Nightmare Long
11. The Day That Never Comes
12. Master of Puppets
13. Fight Fire With Fire
14. Nothing Else Matters
15. Enter Sandman
Encore
1. Helpless (Diamond Head cover)
2. Whiplash
3. Seek and Destroy
Madison Square Garden Review
The band sounded fantastic, and they always put on an energetic and lengthy show. During their final track enormous black beach balls with the words “Metallica Death Magnetic” printed on them are released into the audience, giving the moment a true rock show feeling.
However, for fans who have seen the band before there has been very little variation between setlists and antics during this tour. Kirk and Trujilo did interlude solos at the same moments, Hetfield said nearly all the same things. The set list for this particular show was even a little weaker than others; the band neglected many of the fan-favorites like “Fade to Black,” “Creeping Death,” and “Battery.”
The highlight of the night was the often unsung gem from their second album, “Fight Fire With Fire” which had Hetfield barking like it was 1984 again. Otherwise, Metallica puts on one of the biggest and most professional and competent live shows out there.

For me, the New Year always brings with it anticipation of the Barbados Jazz Festival. I am not a jazz purist, I enjoy all genres of music, particularly R&B, Soul, World Beat and the numerous local acts from the Caribbean that hold sway at most Caribbean jazz festivals. Each year, Gilbert Rowe, founder and president of GMR Tours brings more than a few musical surprises both local and international.

The 16th edition of the Barbados Jazz Festival brought Harvey Mason, James Blunt, Dee Dee Bridgewater, Angie Stone, and Chrisette Michele as headliners, Hilario Duran and Glenn Lewis from Toronto, Canada and featured local artists Diana Jarrett, David Burnett, Dwane Husbands, Kite, Errol Ince, Raf Robertson & Birdsong Academy along with Nexcyx and BCC Jazz Project.

While my main reason for flying to Barbados each January is to cover the jazz festival it is also the day trips and attractions that I look forward to. Careening off road through sugar cane fields in the back of an Island Safari Jeep or lolling about the Tiami Catamaran on a luxurious 5 hour trip up the west coast of Barbados are just two of my favourite things to do.

Opening night of the jazz festival is held at the Sunbury Plantation House built in 1660 in the Parish of St. Philip. The beautifully lit landscaped grounds feature numerous carts and machinery once used to cultivate the land over a century ago. The house itself has withstood the ravages of both fire and hurricanes and is open daily for visitors to enjoy lunch or dinner while they explore the fascinating history of this grand plantation house.

Over the years, many great jazz artists have graced the stage at Sunbury, Roberta Gambarini, Roy Hargrove, Terence Blanchard, John Pattiticci, Robert Glasper, Herbie Hancock, Dianne Reeves and Lizz Wright to name just a few. A celebratory mood engulfs the atmosphere on opening night, women are dressed to the nines and the men are enjoying the repartee. The 2009 BJF edition opened with Diana Jarrett before headliner Harvey Mason took the stage.

This year’s crop of local talent included David Burnett and Dwane Husbands at Heritage Park and Rum Factory. Each year Heritage Park presents the best of the best in local Bajan talent. I am a big supporter of the many talented young artists to perform on Tuesday nights at the festival. One year featured rising star Hal Linton, who has since been signed to a multi-million dollar record deal with Universal/Motown and will be releasing his new CD sometime in 2010. Linton has the moves, grooves and smooth good looks of top R&B artists from the past. Keep your eyes and ears tuned for this young man’s debut.

Wednesday’s day trip involved a visit to the new Aerial Trek Zipline Adventure and I could not get there soon enough. I had my first zipline experience at Utah Olympic Park in late 2008; it was such a thrilling experience that I quickly became a zipline fan. I loved going 50 mph on a zipline and the feel of moving along a wire suspended from a small harness. The new Barbados Aerial Trek Adventure is set in the rainforest 160 feet above the ground going from platform to platform, up close in the canopy free as a bird. It is a fun and exhilarating experience to be near the top of the treetops in the dense rain forest allowing one to feel at home with nature.

Local rock/pop group Kite opened with their Police/Beatles/60’s reverb sound before a frenzied performance from none other than headliner James Blunt. Who knew Blunt was such a wild man on stage…. he could give Jamie Cullum a run for his money on stage antics. Both Blunt and Cullum move from guitar to piano in sneakers, they both jump onto their pianos and run around onstage like giddy elves.

Blunt is completely charming, it was no wonder that the mostly female audience went crazy when Blunt invited them to come to the front of the stage. His songs are a sad reflection of life circumstances that has felt the pain of a broken heart more than once. It was odd to see such exuberance during tales of love gone wrong. Blunt jumped off stage and into the audience shaking hands and singing, he jumped onstage then stepped onto his piano smiling and singing all the while. He took off his jacket, loosened his tie, and grabbed the guitar. He played his hits, everyone knew the words and sang with him, ‘You’re Beautiful’ sent the crowd into overdrive. Blunt is a consummate entertainer with heart rendering songs of love, a mischievous gleam in his eyes, he’s funny, engaging and yes, he even won me over.

The next morning I was on the bus to tour Harrison’s Cave, a limestone cave that remains a ‘live’water source. The water that flows through Harrison’s Cave is pure and clean. Pools of crystal clear water flow throughout the cave in dramatic lighting. The stalactites and stalagmites are beautiful individual works of art that are constantly evolving. The 40 minutes passed too quickly in this magical underground setting.

When it comes to rum, there is no finer rum than Mount Gay. A tour of the Mount Gay Rum Factory is the perfect way to become familiar with the history and variety of rum available on the island. You will be greeted in the garden with a small sample of refreshing rum punch as a steel pan player provides the musical flavors before you begin a tour of the facility. You will have an opportunity to see some of the old photographs and learn about the history of the first families to produce this superior rum product. Inside the on-site Rum Shop, some of the oldest distillery pots are on display, along with a short film detailing footage and photos of the history of Mount Gay Rum. At the end of the tour, you will be called upon to belly up to the bar and enjoy a sampling of several varieties of rum. Visitors can enjoy a relaxing lunch with ocean views and a cooling breeze on the outdoor veranda.

Later that evening we had the good fortune of attending one of the concerts at the incredible Crane Beach Resort, Barbados oldest resort hotel, built in the 1700’s. The magnificent Crane has cloned itself into a village of luxury suites and rooms, and most recently added several shops on the property in their own Town Square. We enjoyed cocktails in the square before a sumptuous dinner of traditional Thai and Japanese cuisine in one of the private ‘Tatami’ dinning rooms. Zen was the winner of the 2009 Zagat Guide to the Best of Barbados No. 1 for Food. The exquisite sushi bar and dessert table alone are worth the trip to Zen.

Trinidadian trumpeter Errol Ince was the special guest performer later that night on the Crane’s outdoor stage with the ocean and a slice of the moon as a backdrop. The scene suited the soft and gentle songs performed by Ince who has spent over 50 years playing the music he loves. Ince has toured with both the Tommy Dorsey and Lionel Hampton orchestras as well as bandleader for the Mighty Sparrow. At 70, Ince made his way from Trinidad to London where he was voted ‘Best Trumpet Player in Europe’ for five consecutive years, 1968-1972. This night was particularly poignant for Ince who had just learned of a close friend’s passing. He played one of his hit tunes ‘Gaza Strip’ his first composition written when he was 17 years old. He played standards such as ‘Freddie Freeloader’, ‘Stardust’ and ‘Girl from Ipanema’, talked about his days traveling the world, and ended with a gentle version of ‘Hot, Hot, Hot’ to a standing ovation.

A 9 a.m. pick-up delivered us to Shallow Draught where we boarded the gleaming Tiami Catamaran for the five-hour trip up the west coast of Barbados to swim, snorkel and watch the feeding of the giant sea turtles.

As always, the handsome crew were waiting with smiles, fishcakes and champagne and orange juice to welcome us while they took our shoes and guided us safely aboard. It was time to slather on the sunscreen and find a spot to ride the waves while a steady reggae beat kept pace in the background. There are numerous places to chill out and watch the scenery, soak up the sun, or mingle with the other passengers in the cabin area. I prefer to ride the front of the boat with the wind in my face and dangle my feet in the water as we glide silently through the waves powered only by the wind in the sail.

Once we arrive at the designated feeding site, we are one of several boatloads of tourists. After handing out snorkeling equipment and instructions, people are ready to jump in the water. The turtles are already enjoying a lunch of fresh chum to the delight of everyone. Close encounters are treasured moments of an all too brief encounter with these ancient sea turtles. A delicious lunch of flying fish, macaroni pie, chicken, salad, coleslaw and rice are prepared while everyone is in the water. After lunch is served, we pull up anchor and sail away to a coral reef site for more snorkeling or swimming before heading back. The experience onboard the Tiami is a day of five-star perfection that you will not want to miss on your next trip to Barbados.

The evening’s concert brought us to a new, elegant venue for the festival, Ilaro Court, the Prime Minister David Thompson’s residence, where the grounds were set with tables and chairs and concert seating in front of the stage. There were booths with home cooked Bajan food, crafts and an outdoor bar set up on the property. The first set opened with Raf Robertson’s Birdsong Academy of young musicians and singers who turned in a very impressive hour of music before headliner Dee Dee Bridgewater took the stage.

Sitting under the stars, in the backyard of the Prime Minister of Barbados with Dee Dee Bridgewater onstage enhances the experience of the Barbados Jazz Festival. Bridgewater arrived on stage – bald – singing ‘Let Me’. Her dazzling smile can light up the whole outdoors, with a mischievous glint in her eye she engages the audience with “Who ate my food? I can’t wait to get some of that Bajan home cookin’, you know that sensual food – you know how to ‘eat’ real good” she said with a wink as she launched into a slow and sensuous version of ‘Besame Mucho’ she acted out each nuance of the song. “Glad you enjoyed it so much, I did too” she sang ‘Speak Low, Speak Love’ a song on her latest CD; during ‘Let’s Talk About Love Baby’ she said “There’s just something about the men in Barbados….oooh, I want to talk about it all night long,” then began ‘Love For Sale’ swaying sensually, lifting her dress a little at the ankle, getting down and looking like a pouty bad girl she said “It feels good to be naughty, it breaks me out in a sweat, it makes me wet. I was told that you were a very discreet people, I was told that I should be careful not to wear plunging necklines, I was told that I shouldn’t say bad words but I could get the thought going. Is that right?”

“You all are sitting there all quiet and proper like – so I guess I’m just going to sit my fanny down and give you food for thought, I’m going to do a song from my last CD, it’s kind of a children’s tale for the child in all of us, cause this is the last I’m gonna be proper.” “I wrote these lyrics for our latest Grammy nominated CD, exploring our African ancestors from Mali. I’d like to dedicate this to all women of color.”

After the song was over Bridgewater looked out into the crowd and said “I need to know, did they put glue on those seats? Did they use Superglue? I mean it, you all are just sitting there, is that what you do in Barbados? Well, I’m going to do whatever I can to get you out of those seats on this last song because you people are wearing me out now, I’m up here working and you’re just sitting there.” At that point, 18 people get up and move to the music in front of the stage; another 14 stand up in front of their seats and sort of move to the music. It is clear that at this point Bridgewater has lost her enthusiasm and thanks those who got up to dance. Before she leaves the stage, she said, “It’s my first time to Barbados, I can’t say how much I have enjoyed myself – the Crane Resort – Oh my God, I found heaven. Thank you Caroline, Ann Marie, Paul and thank you Prime Minister, lots of love and blessings to everybody.”

Saturday and Sunday, the Barbados Jazz Festival moves to Farley Hill National Park located in the Parish of St. Peter. A forest of Barbados mahogany, Norfolk Island Pines, Tamarind and Cabbage Palms, a large garden, and a children’s playground surround the Great House ruins. Spectacular views of the Scotland district in the valley, the Sleeping giant and across to the rugged east coast can be seen from the top of the hill. Behind the Great House, you will find rolling hills of sugar cane as far as the eye can see all the way to the ocean.

Everyone comes early and prepared, with chairs, blankets, umbrellas and picnic coolers ready to stake out their favorite vantage point.

Local Barbados group Nexcyx was first to take the stage on Saturday, performing more of their original material than the previous year when the opened for Erykah Badu with a very tight set of old school R&B hits. I don’t know if was the early daytime set, the change in material or the overall energy level but I much preferred the set from the previous year. However, it is obvious that this group of talented young musicians and singers work hard to put together a professional show for their audience. I look forward to hearing what’s next from Nexcyx.

Toronto R&B singer Glenn Lewis followed, performing songs from his ‘World Outside My Window’ released on Epic Records including his hit ‘Don’t You Forget It’. His set was sprinkled with rap, hip-hop and R&B songs that warmed the audience up for headliner Angie Stone.

Singer, songwriter, record producer and actress, Angie Stone likes to keep busy. Flanked by her band and backup singers, Stone came out singing, songs from her Art of Love and War CD, released a few months earlier on Stax Records, her first for the label. ‘Happy Being Me’, ‘Brotha’,‘These Are the Reasons’. Stone’s neo soul groove held the audience captive and she ran through a repertoire that included songs from her previous CD’s such as ‘Wish I Didn’t Miss You’, ‘No More Rain in this Cloud’, ‘Pissed Off’ and ‘Touch It’ from her Mahogany Soul CD, along with a few favorites from her earlier CD’s on J Records.

Sunday at Farley Hill National Park (or as the locals call it ‘the hill’) began with a wonderful jazz group called BCC (Barbados Community College) Jazz Project featuring singer Kellie Cadogen. This young group performed jazz standards and a few originals with a mature feel for the roots of jazz. Kellie Cadogen, who released her first CD in 2008, has a sophisticated stage presence and knows how to work the crowd with strong, confident vocals. It was a great beginning to the last day.

Cuban born, Torontonian, Hilario Duran brought his group from Toronto along with singers, Luis Mario Ochoa and Jailan Duran, Hilario’s daughter, provided the vocals for the hot ,hot, hot, Latin dance music. Duran has won numerous awards for his playing, his compositions and is as adept at Latin jazz and straight ahead jazz not unlike Chucho Valden or Gonzalo Rubalcaba but he also likes to mix it up for the audience who likes to dance. No sooner did the first notes begin and the front of the stage was crowded with dancers. Salsa, Mambo, ChaCha in a mass of fast foot steps, spinning and twirling with hips swaying that kept the momentum moving at high speed. Luis Mario Ochoa is an excellent singer who also hails from Cuba and is a perfect match for Duran’s music.

R&B singer, songwriter and relative newcomer Chrisette Michele is signed to Def-Jam Records and was excited about the upcoming release of her second CD ‘Epiphany’ in late January. She performed tracks from the CD, obviously connecting with Barbados audience that was gathered around the front of the stage. Chrisette Michele is looking forward to being out on the road and touring with her band ‘The Truth’ as more opportunites open up for her. She sings well, looks great, writes songs that resonate with her fans and has an unstopable attitude. She has the right people in her corner working on bringing her and her music to the world. Keep your eyes and ears out for Chrisette Michele’s CD ‘Epiphany’ in the very near future.

I would like to thank the Barbados Tourism Authortiy, Ruth, Crystal, Jackie, Avril, Che; the Toronto BTA office, Cheryl Carter, Gail Stewart and eveyone else who work hard to make our trip to the Barbados Jazz Festival a most wonderful experience. A special thank you to Gilbert Rowe who manages to share many happy musical surprises each and every year. It is always my great pleasure to head ‘home’ to Barbados every January to hear some great music, and enjoy the treasures to be found on one of the most beautiful islands in the Caribbean.

Any given moment, countless people are listening to electronic music. It’s hard to believe that a mere ten years ago techno was considered an underground movement.

In the early eighties a trio of pioneers in Detroit began merging the sounds of synthpop and Italo-disco with funk. Juan Atkins, Derrick May, and Kevin Saunderson were high school friends who went to dance parties where the music ranged from Kraftwerk to Parliament. They listened to an influential radio DJ, The Electrifying Mojo, who played European imports alongside Prince and the B-52’s. In 1981 Atkins and Richard Davies, aka 3070, started releasing records as Cybotron. Techno was born.

Around the same time, the infant hip-hop community picked up elements of Kraftwerk’s music, thanks to DJs like Afrika Bambaataa and Grandmaster Flash, and created electro. Electro relied heavily on synthesized beats and computery vocoder voices. In 1982, Afrika Bambaataa took the melody from Kraftwerk’s “Trans-Europe Express,” combined it with the distinctive beat from Kraftwerk’s “Numbers,” and composed the anthem “Planet Rock.” Electro spawned the idea of the funky computer. MCs rapped over its beats, and breakdancers formed a new culture in the cities where electro reigned.

In Chicago and New York, house music was taking a similar path. Larry Levan, Frankie Knuckles, Ron Hardy, and other DJs were spinning synthesizer-driven dance music and creating their own edits and mixes. Before long, Chicago radio caught on with the Hot Mix 5 on WBMX, and locals began creating their own tracks to play.

Techno, electro, and house were made possible by new, inexpensive technology. The Roland TR-808, a programmable drum machine released in late 1980, formed the distinctive sound for the entire electro genre and was used in countless early techno and house tracks. 1981’s Roland TB-303 mini-keyboard was used to create squelchy basslines once people discovered the weird sounds that emerged from a little knob twiddling. Samplers and sequencers also became commonplace.

In the late eighties and early nineties, something odd happened. Techno and house, which had failed to gain mainstream success in the United States, became a huge phenomenon in Europe—especially in Great Britain. In fact, the term techno was popularized by Virgin Records’ seminal UK compilation Techno! The New Dance Sound Of Detroit.

Around 1990 raves began to appear near London. Most organizers of these large, illegal parties made their money dodging British licensing laws. Sometimes the location was a secret until the night of the event, and elaborate phone trees and rendezvous points were employed. Hundreds of ravers would descend simultaneously, making the parties more difficult to break up.

For a brief time in the U.K., rave music went pop. In 1996, The Prodigy hit Number 1 on the pop charts with two different singles, and for a while the record industry tried to push electronic music. At the same time, Warp Records built a roster of musicians who preferred to explore more experimental fare. Autechre (Sean Booth and Rob Brown), Aphex Twin (Richard D. James), and Squarepusher (Tom Jenkinson), created alien atmospheres which pushed the boundaries of musical conventions. They were partially inspired by a second wave of Detroit artists, including Carl Craig, Jeff Mills, and Underground Resistance.

Where is electronic music headed? It’s difficult to say. The Internet transformed the music industry just as genres began to get increasingly specialized. Techno is a soundtrack for the wired world. Some of its original creators are approaching their forties, but many of its current listeners are in their twenties and early thirties—people who grew up with computers. Techno reminds us that humans control the machines, and electronics can be used to express funk and soul.

Bibliography

An Electronic Dance Music Timeline